Abstract
ABSTRACT Drawing on a recent case study from Singapore, this essay examines how devising can be expanded beyond notions of “improvisational” and “fixed” into a more emergent, speculative practice that embodies both singular and collective forms of creative performance, and suggests ways in which practitioners may blur the boundaries between being-with as a lived approach to devising, and intercultural performance as a crucial contemporary set of skills for everyday life.
Talk to us
Join us for a 30 min session where you can share your feedback and ask us any queries you have