Abstract
ABSTRACT Performance practitioners curate collections of artifacts from aesthetic performances they direct and stage, which serve as evidence of past performances and is a practice that functions as a method of performance. This paper presents a performance of a discovery of a 50-year-old archive of staged performances within the Department of Communication at a public university in the Southeastern United States. This written performance presents the records documented by this archive. This performance imagines the generative act of creating this archive as a method of performance research, and an invitation for staging a collaged interpretation of this performance and departmental history.
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