Abstract
ABSTRACT This review article responds to the recent exhibition at Tate Britain by Sarah Lucas. It critically considers her use of the coded stereotypes, clichés and vernacular language drawn from British popular culture. Often focused on the playful mangling of the codes and assumptions of femininity and masculinity, we show how her work can be adequately characterised by its recurring thematic and formal concerns.
Full Text
Published Version
Talk to us
Join us for a 30 min session where you can share your feedback and ask us any queries you have
Schedule a call