Abstract
In 1118 the archbishop of Pisa solemnly consecrated the new cathedral of Santa Maria Assunta di Mariana, seat of the diocese of the same name. The largest Romanesque Corsican church insists on an area that has brought back important testimonies of the Roman settlement and Christian buildings of worship since the 5th century. The present intervention aims to re-read the monument in its structural and decorative features to highlight its links with upper Tuscany and Liguria, in a wider framework of the circulation of workers and construction techniques in the Tyrrhenian area.
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