Abstract

The article describes and systematizes the constants and cultural codes of SIBERIA, a linguocultural concept, through the case of British and American linguistic cultures. Mythologization of SIBERIA, built on the «friend-or-foe» dualism, reveals similarities with the mythologeme of the «World Tree» (an inner cultural space of the people’s cosmic world of firmness, desire to build the «middle world», opposite to the «lower world» of nature, vast territories, extreme cold, giantism, and terrifying social conditions). The permanent and variable elements of SIBERIA, represented in the artistic discourse, are considered; the explication found in some English works of the 18th – 20th centuries are investigated for their frequency and, further, classified

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