Families and Households of the Pribidola in the Municipality of Srebrenica during the 19th Century

The University of Tartu Museum’s laboratory porcelain collection mostly includes items that were purchased for the University of Tartu laboratories for research (substance analysis etc.) and teaching purposes (for performing practical tasks such as making medicines). The porcelain collections in Estonian museums (the Mikkel Museum, Art Museum of Estonia and Estonian History Museum) mainly consist of tableware, ornaments and memorabilia. Several museums (e.g., in Saare and Jarva Counties) have apothecary ware. The University of Tartu Museum’s laboratory porcelain collection reflects the evolution of ceramics in the general historical development of chemistry and pharmaceutical laboratories. The oldest items were likely ordered by two professors active in the 19th century: Carl Schmidt (1822–1894, Professor of Chemistry 1852–1892) and Georg Dragendorf 1836–1898, Professor of Pharmacy). Both professors had the opportunity to renew their laboratory equipment in the middle of the 19th century, which they did. The most valued part of the collection is the vast selection of older porcelain items from the Institute of Pharmacy, created in 1844. The collection of laboratory porcelain has accumulated over the years and it currently consists of more than 1,000 items. The oldest pieces ordered for the University of Tartu laboratories date from the mid-19th century, starting from 1844–1847 (Koningliche Porzellan Manufaktur Berlin). The porcelain items that were ordered for the University in the 19th century and the early 20th century come from other sources, too, mainly from German companies such as Staatliche Porzellan-Manufaktur Meissen, Sanitats-Porzellan Manufactur W. Haldenwanger and Spandau. The grog and stoneware purchased for the chemistry laboratory at the same time also came from other parts of Europe (the United Kingdom and France). The porcelain labware purchased after World War II starting from the 1950s and 1960s mainly came from the porcelain factories of Leningrad and Riga and Klin in Moscow Oblast. The product list and its changes are reflected in catalogues issued by porcelain companies, which were also used for determining the names and details of the porcelain items discussed in this overview. The collection only has a few items produced by Europe’s oldest porcelain manufacturer Meissen. Most of the items from the older period bear the marking of the Royal Porcelain Factory in Berlin, which was one of the main porcelain manufacturers in Germany apart from Meissen. The list of items from W. Haldenwanger’s porcelain factory is also varied. Apart from a few exceptions, the laboratory porcelain from the second half of the 20th century mainly comes from the porcelain factories of St. Petersburg, Riga and Klin in Moscow Oblast: the collection includes a few items from the Porcelain Factory in Leningrad and a varied selection from Riga and Klin. The products of these three factories differ from German laboratory porcelain from the late 19th and early 20th century both for the quality of the porcelain and finishing of the glazing. The later labware is visually more robust and has simpler finishing, visually resembling hard earthenware, the ingredient quantities and clay type of which can slightly differ from hard-paste porcelain. The older objects include more specific items made for special purposes while the majority of the later ones are of general nature. Many porcelain items fell into disuse due to advancements in university studies and laboratories. Pharmacist training used to include detailed courses on preparing medicines, because many products (e.g., tinctures, ointments and suppositories) that are now produced by large drug companies used to be made in pharmacies. Additionally, new special fireproof and durable materials have been introduced in the field of labware, the use of which results in different and better quality indicators than those of traditional porcelain.

Although at least thirty-five women were buried in the earlier necropolis at Vron during the period between ca. 370 / 75 and ca. 435 / 45, only three of them were equipped with typically Germanic brooches or other elements of dress. Such a low proportion of women whose dress was secured according to the Germanic custom by means of brooches, is not unusual in the burial sites of Northern Gaul, and indeed clearly distinguishes these from the burial grounds on the right bank of the Rhine in free Germania, where practically all the women used one or more brooches to fasten their clothing, and were subsequently buried with them. The evidence from Vron, as from other comparable military burial sites to the west of the Rhine (e.g. Oudenburg, Vermand, Vireux-Molhain), attesting how few women were buried with brooch jewellery , may indicate either that in actual fact very few Germanic women had accompanied their men-folk into Northern Gaul, or that the majority of women of barbaric origin had, in the process of cultural assimilation, abandoned their exotic costume at a very early date and now favoured Gallo-Roman dress. Among the typically Germanic dress ornaments observed at Vron, one may distinguish five different brooch types and one hairpin type, analysed below: 1. Simple cross-bow brooches belong to the most frequently attested and geographically widespread group of Germanic women's brooches in the 4 th and 5 th centuries (mid-4 th to mid-5 th centuries) between the Elbe and the Loire (fig. 2). They are almost invariably made of bronze, as are the two examples from Grave 163A and Pit 9. The brooch from Grave 163A, worn as a single item, is remarkable for its greater length, its short spring, and upper chord. These rather unusual features appear most frequently in the simple cross-bow brooches from the Lower Rhine and Westphalia. There, this unusual form may be dated chiefly to the first half of the 5 th century. This corresponds to the chronology proposed by Cl. Seillier, who attributes, on other evidence, Grave 163A to his Phase 3 (= ca.415/20-435/45). 2. Cross-bow brooches with a trapezoid foot-plate represent a further typological development of the simple cross-bow brooch. The silver brooch from Grave 242A possesses in addition a beaded wire decoration on the bow, together with a stamped metal plaque covering the trapezoid foot-plate, features which enable it to be classed with the Vert-la-Gravelle variant (fig. 3). This form of brooch, known almost exclusively by the archaeological evidence from the left bank of the Rhine is probably to be interpreted as the product of workshops in Northern Gaul, which are known to have manufactured other types of Germanic costume ornaments for the wives of foederati (see below). Comparison with the very similar brooches from Grave 7 at Vert-la-Gravelle (Mame) enable this example from Vron to be dated at the earliest to the last third of the 4 th century or to the turn of the century. The location of the inhumation within the burial ground suggests a date within Seillier's Phase 2 (= ca. 390-415/20). 3. The bronze hairpin from the same grave, over 17 cm long, with a small round head, belongs to the Fecamp type (fig. 4), known chiefly from the Germanic female burials and other archaeological evidence found in Westphalia and the Lower Rhine.

The publication, based on the study of biographical and autobiographical information, characterizes the educational, professional artistic, and educational activities of Ukrainian artists of the middle 19th and early 20th centuries. An analysis of the role of artists as active participants in the national, cultural, intellectual, and social life of Ukrainian society is presented. The author has studied not only the artistic heritage of artists, but also their multifaceted activities, which covered educational, journalistic, and organizational spheres. The article highlights theoretical positions on the educational activities of Ukrainian artists, which are illustrated by specific examples of their experience and influence on the state of society and professional and general education in Ukraine in the 19th - 20th centuries. The author touches on the problems of the direction of the high society of the middle 19th - early 20th centuries. on the development of Ukrainian culture and education; highlights biographical and autobiographical information about Ukrainian artists of the 19th - 20th centuries; reveals the role of the educational activities of Ukrainian artists, their influence on the formation of public opinion; focuses on the relationship between artistic activity with educational and pedagogical practice, the organization of art circles, schools, the creation of studios and participation in cultural and educational societies. Their pedagogical work in schools, colleges, and academies contributed to the formation of a galaxy of famous Ukrainian artists who continued the national artistic and educational tradition of their predecessors. The work also highlights the problem of self-identification of Ukrainian artists as educators and public figures, since art is considered a powerful tool for influencing and shaping public opinion, a means of broadcasting the idea of national revival, social and cultural renewal of the state. Artists took the position not only of creators of aesthetic values, but also of leaders of the national idea, founders of an intellectual space capable of uniting society around common ideological values. The publication highlights the need to understand the heritage of Ukrainian artists of the middle 19th and early 20th centuries not only as artists, but also as outstanding figures of education, who contributed to the formation of national identity with their work.

Music and choreography interaction in the stage dances of musical theater productions of the 17th – the first half of the 18th century

The term Affektenlehre (doctrine of the affections) and the Swedish word affekt indiscussions about 17th-century and early 18th-century music The meaning of words can shift or change over time, which can lead to misconceptions. This article discusses potential misconceptions in the use of, on the one hand, the term ‘doctrine of the affections’ or ‘theory of the affections’ (Swe. affektlära) and, on the other hand, the Swedish word affekt as an equivalent to the 18th-century German term Affect, in discussions about 17th century and early 18th-century music. The first of these misconceptions is that Affektenlehre was used in the 17th- and early 18th centuries for theories on how music could represent the affections. The second is that a systematic and schematic doctrine about the representation of the affections in music was commonly used during the 17th and early 18th centuries. The third is that the composers and performers of the early and mid-18th century were less emotionally engaged than the sources of the time suggest. To use the Swedish term affekt as an equivalent to the 18th-century German term Affect in discussions about 17th- and 18th-century music means risking confusion with the meaning of the term in today’s affect-theory. It might also promote an understanding of the term as referring to a more abstract and idealized emotional state than the sources support.

Coffee Culture in Dublin: A Brief History

Research on medieval shoemaking allowed for the identification of several structural and stylistic types of Pomeranian footwear. In the 12th–14th century in Pomerania there were no products actually directly derived from ancient traditions. One of the most important stages of this type of production in the Early Middle Ages was the transition from single-piece footwear to complex forms with the soles and upper parts sewn together. Along with the dynamic widespread use of multi-piece products, new sewing techniques allowing the maker to hide the stitches inside the footwear also quickly developed. It not only improved the footwear’s appearance, but also it made it more impermeable to water. The typical varied nature of activities carried out within a single household does not rule out the existence of a separate shoemaking craft supplying customers. From the late 11th to the mid-12th century changes occurred that significantly influenced the further development of this branch of production. A variety of additional footwear elements of both construction and aesthetic nature quickly became popular. In the late 12th and early 13th century it had already become the norm to stitch binding on the inside of a shoe lace hole to protect it from wear and to use a heel stiffener to strengthen the back of the quarter. In the second half of the 12th–early 13th century the dominant form was footwear with a low, ankle-high quarter, fastened by a single shoelace. Mid-high products of a quarter covering the ankle and extending over it became more common. In the mid-13th century, apart from the diversity of the product range, clear signs of quality and aesthetic changes are evident. They are evidence of a larger social diversity amongst consumers. About the mid-13th century the design innovations introduced in the 12th century were consolidated, while the look and shape of individual components of footwear was changeable. The features of shoemaking in the later stages of the Middle Ages were slender, pointed, strongly profiled soles. There are also soles composed of two or three parts as well as more multi-layered ones. In the youngest stages of the Middle Ages additional elements on the bottoms of shoes were noted: outsoles and heels. Their shape and manner of fastening is evidence that they were made deliberately during the production of new footwear and not during its repair. Essentially the same in terms of the design, the shoe uppers differed in quarter height, shape and design and complementary inserts, the manner of fastening, the width of the opening of the shoe, decoration and other minor features. Quite clearly, especially in the second half of the 13th–14th century, there was a division between everyday or working footwear and the enhanced aesthetic value that can be associated with festive attire. At this time the number of children’s shoes produced also significantly increased. At least some part of the changes taking place in Pomeranian shoemaking in the 12th century, especially in its second half, can be associated with the adoption of Western fashion patterns. The canons of costume formed in this century survived for nearly two and a half centuries, until about the mid-14th century. Medieval leather working was not limited to footwear. In materials from excavations it is difficult, however, to detect furriers’ products and costume elements made of thin grain leather (cloaks, hoods, leggings, headdress or robes). The presence of furrier products in the case of archaeological finds is confirmed only by z Products made from grain leather are mainly belts, various cases and bags, gloves, and sometimes identifiable parts of weaponry. The most evident differences between leather products from the early and the late Middle Ages are the sheaths. About the mid-13th century specimens with specific iron fittings with a long ferrule began to appear. They soon replaced traditional fittings of non-ferrous metals. The fashion for decorating the sheaths’ edges by cutting geometric patterns into their lower parts became popular. The smallest stylistic variability is evident in pouches. To the southern coast of the Baltic Sea res novae arrived relatively quickly, although a more noticeable boom took place in the 13th century and the first half of the 14th century. Changes perceptible in the style of Pomeranian leather products in the second half of the 13th–first half of the 14th century may result from the standards included in guild statutes, strictly regulating the scope of activities and quality of products.oological analyses.

In recent decades historians, sociologists and political scientists have attempted to explain why in the late 19th and early 20th centuries some Western countries adopted national corporatist structures while others transformed into liberal market economies. One of the explanatory factors often mentioned is the persistence or absence of guild traditions. Yet how exactly guild traditions influenced the shaping of national political economies largely remains unclear due to a lack of empirical evidence on their 19th-century development. This paper aims to contribute to the debate by investigating the development of various trades in Germany, the United Kingdom and the Netherlands throughout the 19th century. We distinguish six scenarios of what might have happened to crafts during the transition to an industrial economy. Next we focus on the prevalence of these six scenarios in the three countries and their influence on the emerging national political economies. We conclude that the claims put forward in the literature about the importance of guild traditions are only partially correct. By focusing on trades, rather than on the national or local political economy, our analysis demonstrates that in our three sample countries a wide variety of trades – some in which guild traditions survived, others in which these traditions had never existed or were destroyed in the 19th century – existed side-by-side. Decisive in the formation of national political economies and citizenship rights weren’t general national patterns, but which of these trades came to dominate the development of national political economies by the end of the 19th century.

America's medical schools have long used human cadavers to teach anatomy, but acquiring adequate numbers of bodies for dissection has always been a challenge. Physicians and medical students of the 18th and 19th centuries often resorted to robbing graves, and this history has been extensively examined. Less studied, however, is the history of body acquisition in the 20th century, and this article evaluates the factors that coalesced to transition American society from body theft to body donation. First, it describes the legislation that released the unclaimed bodies of those dying in public institutions to medical schools for dissection, thereby effectively ending grave robbery. Then it discusses midcentury journalistic exposés of excesses in the funeral industry-works that were instrumental in bringing alternatives, including the previously unpopular option of body donation, to public consciousness. Finally, it examines the rise of body transplantation, the Uniform Anatomical Gifts Act of 1968, and the subsequent state of willed-body programs at the turn of the 21st century. Body-donation programs have gradually stabilized since and currently provide most of the bodies used for dissection in American medical schools. Relying as they do on public trust, however, these programs remain potentially precarious and threatened by public scandals. Whether American medical schools will receive enough bodies to properly educate students in the future remains to be seen.

The article surveys the evidence on changing living standards across Southeast Asia, a region that in 2020 included a diverse range of countries from Myanmar to the Indonesian and Philippine archipelagos. The region has been described as open and pluralistic, a crossroads of goods, people, and ideas that has never been shut off from the outside world. The years from the mid-15th to the mid-17th centuries have been described by one historian as an age of commerce, where trade and commerce flourished and people from a number of countries in Asia and Europe mingled in port cities. But gradually over the 18th and 19th centuries European powers began to assert their control over much of the region, and by the end of the 19th century the British controlled Burma and Malaya, the French Indochina and the Dutch the huge Indonesian archipelago. In the early 20th century the Americans displaced the Spanish in the Philippines. Population growth in Southeast Asia appears to have been slow between 1600 and 1800, but accelerated over the 19th and 20th centuries compared with other parts of Asia. In the early 19th century population was estimated to be around 10 to 12 percent of that in China, and in 2020 it was almost 48 percent. Evidence of living standards in the early 19th century is examined, as well as how the policies of various colonial powers active in the region in the 19th and early 20th centuries both facilitated population growth and tackled the consequences . Colonial policies tried to increase both food-crop production for domestic consumption and also encouraged export-oriented agriculture, responding to growing global demand for tropical products. These policies often came into conflict as populations increased. By the early 20th century several colonial powers were worried about evidence that living standards were not improving and in some regions were declining. They adopted policies designed to address the problem. After the defeat of Japan, between 1946 and 1965, ten independent countries emerged across Southeast Asia. Governments in all these countries had ambitious plans for improving living standards for their populations, but the extent to which they succeeded in the last half of the 20th century varied considerably. The article examines the evidence, and suggests reasons why some countries have been more successful in improving living standards compared with others.

The compositional features were considered and the portals of the facades of buildings of the late 19th and early 20th centuries were classified. in Kyiv. Their symbolism, structure and structural construction, stylistics and characteristic architectural and decorative features were studied. The purpose of the study: to investigate and analyze the compositional, stylistic and semantic features of the portals of the facades of buildings of the late 19th and early 20th centuries. in Kyiv, to develop the principles of classification of portals and conduct their classification. Methodology. The research was conducted on the basis of the following methods: empirical, theoretical and empirical-theoretical. The empirical method includes observation, photo-fixation, graphic sketches and constructions, comparisons and generalizations. Theoretical techniques include: going from the abstract to the concrete, abstraction, concretization, identification and separation. Most of the work was carried out using empirical and theoretical methods. The results. Photographs, graphic sketches and classification of building portals of the late 19th and early 20th centuries were carried out. in Kyiv based on the developed compositional-constructive and stylistic principles of classification. It was found that the portals are located mainly on the main compositional axes of the facades of historical buildings, namely on the main vertical divisions, which are highlighted by risalites, bay windows, attics, towers and often changed scale and shape of windows. The role of the portals in the overall composition of the building and the problem of violation of the compositional integrity of the facades due to the replacement or destruction of individual parts and elements of the portals have been revealed. In particular, as a result of unsuccessful repairs and renovations in some buildings of the historical center, the entrance doors were replaced with faceless, rough, unscaled ones, which distorted not only individual facades, but also entire sections of the urban environment. The scientific novelty and practical significance of the research lies in the identification of the compositional and semantic features of the portals of the facades of Kyiv buildings of the late 19th and early 20th centuries, as well as in the detailed analysis of the compositional structure, constructive and stylistic components of the portals. A scientific novelty is the developed classification of the portals of the historical buildings of Kyiv. The research will contribute to the deepening of theoretical and practical knowledge about the peculiarities of Kyiv portals of the specified period, which can be used in the restoration and reconstruction of buildings of the late 19th - early 20th centuries. in Kyiv. The developed classification of portals will be a useful educational reference material for students - future architects and designers who are interested in the peculiarities of Kyiv's historical buildings.

Migration was a key tool for building the social, cultural, and economic infrastructures of the “British Dominions” throughout the 19th and 20th centuries. Between 1840 and 1940, an estimated 15 million people left the British Isles for overseas destinations. Such displacement of people contributed both to what scholars term the “imperial diaspora” and the “labor diaspora” driven by economic necessity between 1840 and 1914. Print culture (and its practitioners) was crucial to these diasporas. And members of a highly skilled, mobile “printing diaspora” who could help construct and promote political and cultural identities through the agency of print were, from the outset, high on the preferred occupation list. Scottish printers were key players in such printing diaspora networks, both locally and internationally: individuals circulated between regional and overseas sites, acting as transmitters of print values and trade skills and becoming central to the expansion of labor interests in new territories. Such international circulation of highly skilled workers played its part in the development of 19th-century Anglophone print economies. Over the course of the long 19th century, either through their own initiative or supported by emigration and removal grant schemes, Scottish printers circulated across the English-speaking colonial world, setting up businesses, engaging in labor and union politics, and creating the print culture infrastructures that sustained social, communal, and national communication and identity. Sample data drawn from UK typographical union records offer some insight into the extraordinarily high levels of local, regional, and international mobility of skilled Scottish print trade workers during the 19th century. Such peregrinations were common. Indeed, the tramping tradition among skilled artisanal workers was one that dated back several centuries. Part of the so-called tramping system, which organized trade guilds and print trade unions in Britain used throughout the 19th century, it was a means of organizing and controlling labor activity in local and regional areas. The typographical unions in Ireland and Britain (England, Scotland, and Wales) that developed from the midcentury onward encouraged such mobility among union members as a means of monitoring and controlling supply and demand for labor. Tramping typographers also acted as union missionaries, starting up unions in unserved towns along these regional networks and playing key roles as informants, cultural transmitters, and social networkers. Tramping, though, was only a part of the picture of worker mobility in the 19th-century Scottish printing trade diaspora. Printers participated in a communication and trade network that encompassed and supported skills transfer and personal mobility between printing centers locally, regionally, and internationally. They also were responsible for supporting cultural identities that linked overseas communities back to Scotland. Through them, trade, labor, and cultural practices and values were exported overseas and integrated into indigenous settings. Such migration also facilitated insertion of trade skills into local and general spaces and the transfer of knowledge and skills between incomer and indigenous workers. The various forms in which such identities were effectively supported and monitored shaped regional, national, and transnational flows of Scottish skills and labor traditions throughout the English-speaking world in the 19th and early 20th centuries.

Can the 16th and early 17th centuries in Poland‐Lithuania and some other east‐central European countries be characterized as a “Golden Age” in human capital? We trace the development of a specific human capital indicator during this period: numeracy. We draw upon new evidence for Poland and Russia from the early 17th century onwards; and for Belarus, Ukraine, and Lithuania from the 18th century onwards; controlling for potential selectivity issues. Poland had quite high levels of numeracy during the early 17th century, but these levels subsequently fell below those of even southern Europe. As in other countries in the area, numeracy levels in Poland were lower than those of western Europe during the 17th, 18th, and early 19th centuries. This finding might support the hypothesis that the second serfdom process, which gained momentum during the 17th century, was one of the core reasons why human capital accumulation was delayed in eastern Europe. The major wars in the region also had devastating effects on numeracy levels. (KEYWORDS: Central‐Eastern Europe; historical Demography; Eastern Europe; Human Capital; Numeracy; Age‐Heaping; census microdata)

In the past 35 years or so, scores of theories, some bordering on legend, have emerged about the origin of the earliest known authentic representation of the Holy Crown of Hungary. Systematic historical and art historical research, however, has reconstructed convincingly the circumstances of its creation. Contrary to the majority of assumptions proposed until now, it can now be safely declared that the earliest representation of the Hungarian crown jewel has nothing to do with the – actually fictitious – possession of the crown by the Fugger family in the mid-15th century. The handwritten work namely, in which the image survived, is not a Fuggerchronik of Munich but the history of the Habsburg dynasty (Ehrenspiegel des Hauses Österreich) written for the family of the great merchant banker, Johann Jakob Fugger (1516–1575) by the self-taught town historian, genealogist and heraldist Clemens Jäger from Augsburg (c. 1500–1561). The two-tome manuscript of nearly 800 folios with thousands of coats of arms and hundreds of illuminations is preserved in the Bavarian State Library in Munich. The earliest known depiction of the crown was made replicas of which were unknown until recently but were identified by the authors in three richly illuminated handwritten copies of the Ehrenspiegel. All were made in Innsbruck as the outcome of the court art and art patronage of the archdukes Ferdinand and Maximilian of Tyrol in the late 16th and early 17th century. By dating the manuscripts kept today in Munich, Vienna and Dresden more accurately and analysing the crown depictions in them, the – until recently – controversial chronology of the Ehrenspiegel copies could be clarified reassuringly. A revised version commissioned by Emperor Leopold I was completed by 1668 and was also released in print by the Endter press in Nuremberg with “updated” text by the German poet Sigmund von Birken. This version also included the image of the Hungarian crown, but the publisher replaced the 16th century depiction with a more up-to-date one. It adopted the crown representation on the title-page of Mausoleum (printed in Nuremberg 1664), a series of Hungarian ruler portraits completed a little earlier upon commission from a Hungarian aristocrat and art patron, Chief Justice of Hungary (1655–1671), Count Ferenc Nádasdy. It must be attributed to the publisher’s demand for authenticity that added to the crown from the Mausoleum, which in basic forms emulated the crown image illustrating the famous tract of guardian of the crown Péter Révay published in Augsburg 1613 (De Sacrae Coronae regni Hungariae ortu... Commentarius) and reformulated several times later, he also enclosed the title-page of the politics historical work by Martin Schödel (Respublica et status Regni Hungariae, Leiden 1634) for the purpose of providing more accurate material details. A German handwritten petition by Clemens Jäger, the author of the Habsburg family history, for a coat of arms and crown representation has been recovered in the Austrian National Library in Vienna. In it he was inquiring about the Holy Crown with reference to the work (Rerum Ungaricarum decades) of the Italian historiographer of Matthias Corvinus, the noted humanist Antonio Bonfini. This source permits us to declare: the earliest authentic representation of the Hungarian crown was made in Augsburg between April 1553 (the terminus post quem for the sending of the petition from Augsburg to Vienna) and November 1561 (the death of Jäger). Confuting earlier presumptions we can contend that instead of some mid-15th or early 16th century model, Jäger used a wholly contemporary reproduction. It showed the crown kept in the Habsburg court in Vienna from the beginning of September 1551 depicted – if we are not mistaken – by the copperplate engraver and draughtsman of antiquities (Antiquitetabconterfetter) Hans Sebald Lautensack served in Vienna from August 1554, who was in close contact with the famous Vienna court historiographer who also knew Jäger, Wolfgang Lazius. Lautensack also engraved a portrait of Lazius in 1554. Some data suggest that our safe dating (1553–1561) can be reduced to the interval between the late summer of 1554 and 1556, between the beginning of Lautensack’s service in Vienna and the publication of the historian Lazius’s great map of Hungary (1556), the latter adorned with a Holy Crown with pendants. To conclude, the earliest detailed and authentic representation of the Hungarian crown was the outcome of the collaboration of Central European historiographers, first of all historians of Augsburg and Vienna, genealogists, heraldists and engravers, without the involvement of Hungarians, as far as we know. Not that this fact would reduce in any way its outstanding significance or peculiar value.

The aim of the article is a general review of the process of forming political education as a set of political ideas, knowledge in politics, and the system of training officials in Ukrainian universities in the 19th – early 20th centuries. Methods: The historical-genetic method was used, which was in reproducing the long-term process of formation of political education of the period. The historical-comparative approach made it possible to identify the similarities and differences of the essential characteristics of the object, to summarize the historical facts and to carry out further typology. In the end, the historical-systemic method ensured consideration of political education in Ukrainian universities in the context of the formation of political science in Western world. Main results. Researchers link the origins of political education in the territories of sub-Russian Ukraine with the opening of Kharkiv University (1805) and the department of moral and political sciences, where advanced political and legal knowledge and ideas were disseminated. The next stage, which also includes Kyiv University (1834), begins with the Statute of 1835. It defines the guidelines for law faculties, in which officials were trained, which in the 19th century meant state or political education. The Statute of 1863 marked a new stage in the development of education. In the reform era of the 60s (19th century) Novorossiysk University was opened in 1865. At the same time, the period was marked by the increased attack of tsarism on Ukrainian culture and education. State science (or political) science did not have a formal structural division in domestic universities. However, researchers emphasize the special role of professors in the development of political science. Scientific foreign trips during the last third of the 19th and early 20th centuries opened chances for scientists to acquire knowledge of political life in Europe and reproduce it in teaching. Type of article: review. The article offering a holistic glance of the formation of political education in the universities of Ukraine in the 19th and early 20th centuries. It argues that political education was formed in the bosom of subdivisions related to jurisprudence, political economy, and philosophy. The lack of a separate shelter for this field of knowledge was explained by the non-separation of the science of politics from the general system of humanities and legal sciences in the Western world.