Abstract

ABSTRACT This is a comparative, cross-cultural, and multi-disciplinary study of two extinct animals, the Tasmanian tiger in Australia and the Hokkaido wolf in Japan, and their ongoing cultural ‘presence’. The thylacine was last documented in captivity in 1936, and the Hokkaido wolf became extinct around 1900. Both faced rapid extinction due to anthropogenic factors associated with colonisation and modernisation, including eradication policies. Nonetheless, both animals have ongoing cultural and conservation significance. In Australia, the thylacine has become a symbol of redemption and conservation advocated for by devoted citizens who do not believe the animal is extinct. In Japan, the story of the Hokkaido wolf has been kept alive by Tezuka Osamu, a legendary manga/anime artist. Tezuka’s life project was to change anthropocentric human-nature relationships through his work. These two animals have significant ongoing implications for conservation and sustainability. The Tasmanian tiger offers a new approach to conservation through the pursuit of ‘Lazarus species’. The Hokkaido wolf provides an alternative ontology useful for rethinking human-nature relationships. Both point to the significant roles that different worldviews and emotional commitments can play for sustainable futures. They present new possibilities for reimagining extinction in the Anthropocene, showing that even extinct animals can give us hope.

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