Abstract
Natyashastra has discussed about drama as an art and it has a relation with other six classical art of India. Since ancient times to the present, Rasasiddhanta helps to develop aesthetical views with nine emotions in Indian art. (Ghosh Manomohan, 2002). It is observed that Indian art is less realistic but having more emotions. Under the influence of Western art, it moves from surrealism to abstract expressionism art. It is interesting to see how the implementation or reframing of these ethics and aesthetical judgments can work on the contemporary art of India(1). Conclusions and implications of the study in the third century, Bharata Muni in his text Natyashastra explained Bhava as a state of mind. It is the aesthetic flavor that results from maturation and stabilization of Rasa. Related to contemporary Indian art, eminent philosophers such as A.K. Kumarswam, Avanindranath Tagore, and E. B. Havel accept the aesthetical values of Rasasidhanta. Some Indian artists know the value of Navassa, and they have to apply it in their artwork. An extensively clear sight of Rasa and its impact is highly observed in Indian Contemporary paintings.
Published Version
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