Abstract
In this paper the author explores the traditional plot and images (TPI) of Don Juan, representing in the play "Will chaste womanizer" by modern Ukrainian playwright Anatoliy Krym. It is considered the level of construction of traditional images and plots, features of postmodern poetics, intertextuality, irony and parody, game. Here the attention is paid to the meaning of the Text as a postmodern paradigm that defines the process of transformation of the traditional plots in a modern national literature
Highlights
The appeal of the writers to "eternal themes" and "world images" determines the level of cultural and artistic needs of the creative elite
The heroes of ancient myths and literary works of the previous periods, historical figures, the characters of the Bible again appear in the pages of the post-modern dramatic works, and talk from the stage to the audience of the nanotechnologies era
Modern reception of the image of don Juan destroys the established behavioral matrix of seducer and womanizer, decoding the essential traits according to the current cultural-historical queries of the era, partly reading it in the circle of the determinants of "Don Quixote" and "hamletism"
Summary
The appeal of the writers to "eternal themes" and "world images" determines the level of cultural and artistic needs of the creative elite. Don Juan in the play "Will chaste womanizer" can skillfully play on feelings as a monk, and the despair of the young Anna He makes the monk change the clothes in his clothes, and to look into their own heart, back to real life, to overcome the pain and get up on his knees because the abdication and escape to the monastery could not calm his soul. Study results Don Juan in the play "Chaste womanizer's will" by Anatolii Krym manages to skillfully play on the feelings of the monk and the despair of the young Anna He makes the monk put on his clothes, but look into his own heart, get back to real life, overcome the pain and stand up from his knees, after the abdication and escape to the monastery did not to calm his soul. Modern reception of the image of don Juan destroys the established behavioral matrix of seducer and womanizer, decoding the essential traits according to the current cultural-historical queries of the era, partly reading it in the circle of the determinants of "Don Quixote" and "hamletism"
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