Abstract
Recent years have seen the return of social class to popular fiction with the success of international authors like Édouard Louis, Annie Ernaux, Sally Rooney and Douglas Stuart. In Scandinavia, working-class authors have topped bestseller lists since 2022 and have drawn attention in mass media. This study looks at readers of “class fiction” by analyzing data from the digital book platform eReolen. Using data for loan time and geographic municipality, I argue that the popularity of class fiction has been fueled by media attention and gain many of its readers from relatively prosperous areas in Denmark – as opposed to the people represented in the books.
Published Version
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