Abstract
This article aims to explore some aspects of our shared human experience of death through a parallel reading of Hamlet and Zhuangzi. These two classics belong to radically different cultural contexts, and both have traditionally been interpreted as texts in between philosophy and literature. As such, I hope this article will be of some interest for both students of world literature and transcultural philosophy, disciplines that, despite the contemporary academic distinctions, share much in common. Section 1 highlights some differences and similarities between Hamlet and Zhuangzi. Section 2 proceeds by elucidating three aspects of the problem of death approached by both texts (uncertainty; the death of others; my death). Section 3 examines two predominant perspectives in Chinese and European cultural backgrounds (the “individual” and the “cosmic” perspectives). Sections 4 analyzes how Hamlet approaches uncertainty, the death of others and my death from the individual perspective, while section 5 does the same for the cosmic perspective in Zhuangzi. In section 6, the two mirroring passages of the dialogues with the skull are compared, showing how the individual and the cosmic perspectives mutually implicate each other as two sides of the same coin.
Talk to us
Join us for a 30 min session where you can share your feedback and ask us any queries you have
Disclaimer: All third-party content on this website/platform is and will remain the property of their respective owners and is provided on "as is" basis without any warranties, express or implied. Use of third-party content does not indicate any affiliation, sponsorship with or endorsement by them. Any references to third-party content is to identify the corresponding services and shall be considered fair use under The CopyrightLaw.