Abstract

Early childhood children tend to make musical expressions watching other children or the teacher’s piano accompaniment. However, it has not been inspected yet how eye movement is affected by music. To provide the optimized procedure to capture eye movement’s characteristics reflecting music, the statistical technique was used to evaluate effective parameters. In this study, eye trackers (Tobii Glasses 2) were used to acquire data of eye movements during musical expression of early childhood children and to conduct quantitative analysis. 3-year-old, 4-year-old, and 5- year-old children in two early childhood facilities (n=58) participated in eye-tracking while singing multiple songs of major and minor. This paper focuses on saccade (rapid eye movement) and gaze behaviors of early childhood children and mainly conducts, a three-way analysis of variance (ANOVA) on the acquired data (age * facility*tonality). As a result, it was found that the number of occurrences of saccade and the total moving distances of saccade showed a statistical significance between means regarding differences in the tonality of major/minor key of songs, and childcare forms.

Highlights

  • Regarding relationship of eye movement and body control, evidence from previous studies suggests that saccade and gaze behavior infer body position and postural control (Neil et al, 2016)

  • Purpose of This Study This study aims to use an eye tracker to quantitatively capture eye movements during musical expression in early childhood children

  • The author shows an example of individual calculated data of eye movement analyzed by analysis software (Tobii Pro analyzer), and quantitatively analyzes the data items presented by the method of this study

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Summary

Introduction

Regarding relationship of eye movement and body control, evidence from previous studies suggests that saccade and gaze behavior infer body position and postural control (Neil et al, 2016) Those studies are targeting only adults and not including music induced responsive body movements. Researches on music and movement show responses to adult sound (Burger, 2013), viewing experiments and video analysis on the relationship between performer movements and expressions (Dahl and Friberg, 2007; Thompson and Luck, 2012). Those researches did not aim to capture the musical expressions during the process of continuous musical practice in early childhood

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