Abstract
Abstract: Pulp Fiction (1994) prompts its viewer to consider the possibility of divine intervention and to explore the issue of divine justice to which that possibility gives rise. The anachronic plot presentation allows the audience to ponder Vincent and Jules' dispute about whether they experienced a miracle with the knowledge that Vincent will later be killed by Butch. This then prompts a review and reevaluation of Butch's character in relation to the gold watch for which he risks his life. Thus, the audience experiences an increasing capacity to make sense of the theological details that construct the characters, scenes, and dialogue.
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