Abstract

Abstract This chapter shows how Melville draws on the book of Job to discuss issues of divine justice and human suffering. It argues that Melville uses the language and themes of Job to evaluate divine jurisprudence from the vantage point of the human plaintiff, celebrating human perseverance and indicting the arbitrariness of divinely mandated suffering. After sketching out the book of Job’s textual history, the chapter discusses in turn Mardi, Moby-Dick, “Bartleby, the Scrivener,” and The Encantadas on these grounds, detailing how Melville uses typology and intertextual reference to examine the Bible and to apply his findings to comment on natural, social, and cultural phenomena. It concludes that Melville sees the book of Job as a story not of defiance and repentance but of the learning and growth that occur in precisely the moment when one’s preconceptions and expectations of reality are shattered.

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