Abstract

A large new performing arts building at a university included an 800-seat recital hall, proscenium theater, black box theater, large instrumental rehearsal room, choral rehearsal room, and practice rooms. It was designed with attention to acoustics concerns throughout, but the final results left the owner with a myriad of problems. These problems included poor hearing conditions in the large performance space, intrusion of exterior environmental noise, excessive mechanical system noise and vibration, and inexplicable lack of separation between rehearsal rooms that were separated by an STC 70+ wall. The authors parsed through the complaints and field conditions to extract a range of reasons for the problems. The paper presents the analysis techniques for these challenges and shows options that were developed for practical solutions.

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