Abstract
Adam and Eve, Robinson Crusoe and Man Friday, Tarzan and Jane: these are the figures who tell white western people about the origins and foundations of sociality. The stories make claims about “human” nature, “human” society. Western stories take the high ground from which man — impregnable, potent, and endowed with a keen vision of the whole — can survey the field. The sightings generate the aesthetic-political dialectic of contemplation/exploitation, the distorting mirror twins so deeply embedded in the history of science. But the moment of origins in these western stories is solitary. Adam was alone, Robinson was alone, Tarzan was alone; they lacked human company. But each couple, each solution to the illogical insufficiency of a rational autonomous self, was fraught with the contradictions of domination that have provided the narrative materials of “the West's” accounts of its devastating collective history.
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