Year-end Sale % OFF 
Abstract
Hugo Hamilton's novel Disguise depicts a protagonist who adopts the identity of a Jewish survivor based on mediated recollections of the Second World War. Taking the novel's epigraph—a reference from Joseph Beuys's installation Szene aus der Hirschjagd (Scene from the Stag Hunt)—as its point of access, this essay explores the opportunities and the risks involved in the process of expanding upon, and reinterpreting, sources from cultural memory's archive.
Talk to us
Join us for a 30 min session where you can share your feedback and ask us any queries you have
Schedule a callDisclaimer: All third-party content on this website/platform is and will remain the property of their respective owners and is provided on "as is" basis without any warranties, express or implied. Use of third-party content does not indicate any affiliation, sponsorship with or endorsement by them. Any references to third-party content is to identify the corresponding services and shall be considered fair use under The CopyrightLaw.
