Abstract
It seems undeniable that in the last ten years or so continental philosophy has undergone a shift that could turn out to be epochal and that takes the name ‘Speculative Realism’. It would therefore seem negligent not to include some sort of account of it in a book that claims to pertain to contemporary art. Nevertheless, while the sublime is arguably a factor in the development of Speculative Realism, it is certainly tangential to its major concerns, which in large part rest upon a rejection of Kant. As a result, my discussion of Speculative Realism is brief and by no means sophisticated, but is offered here as an attempt to indicate what the sublime’s future might hold, both philosophically and in the realm of art.
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