Abstract

ABSTRACTRecent social and political crises in the Middle East and North Africa have forced many people to seek refuge in Europe or elsewhere. Many research studies, films and novels have documented these migrants’ and refugees’ daily struggles to settle and grow roots in an migration space itself permeated by hostility and rejection. This article offers a close analysis of Amara Lakhous's novel, Clash of Civilizations over an Elevator in Piazza Vittorio (2006) and looks at the act of passing as a postcolonial strategy of cultural and social integration with specific regard to the main protagonist's position and point of view. It draws on the findings and theories of postcolonial studies and comparative approaches to culture. The last section of the article discusses Lakhous's linguistic hybridity as a subversive intervention in contemporary Italian discourse on national identity and national literature.

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