Abstract
Popular culture is perhaps the best place to test the claim that (capitalist) globalization is now an accepted reality, as the new world-space of cultural production and representation is inhabited by images and goods pertaining to the everyday life of the world population, that is, by images and goods that are manufactured by multinational corporations and circulated in a global market. China, the emergent economic giant of the 1990s, has caught on to the latest global cultural production and marketing trends at an astonishing pace. Get on line! for instance, is a popular catchphrase among the millions of Chinese whiz kids who use the Internet. Such a rapid change defies the imagination not only of its Western analysts but also of die-hard Chinese ideologues of Western-style modernization and liberal democracy who were exiled overseas in the aftermath of the 1989 Tiananmen event and whose goals are purportedly nothing less than a prosperous, market-oriented economy and social plurality. Journalists, the proper postmodern culture workers, on the other hand, have no time to
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