Abstract
The intensification of authoritarian ideology and censorship in China has made it increasingly challenging to communicate politically sensitive messages through cultural products (Ye and Zhao, 2023). To navigate these constraints, it is crucial to examine the strategic use of political metaphors in music. This dissertation explores the political metaphors embedded in the musical oeuvre of Wong Yiu-Ming (Anthony Wong), a prominent artist from Hong Kong, China. Through a comprehensive analysis of imagery and textual content, this study investigates how these metaphors facilitate the expression of political orientations and assesses the impact of Wong's identity and actions on his audience. The findings suggest that non-mainstream music holds a distinct political significance compared to mainstream music. Metaphorical representations in non-mainstream music effectively challenge state power by circumventing censorship, leveraging the global industrial network, enabling political expression, and aligning with the artist's multifaceted identity.
Published Version
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