Abstract
Este artigo pretende traçar uma análise comparativa entre a poesia mélica e a poesia lírica moderna, mais precisamente a lírica produzida no Romantismo, buscando evidenciar as características da mélica e da lírica romântica. Para tanto, utilizaremos a noção de poesia ingênua e de poesia sentimental de Schiller (1991), os estudos sobre poesia mélica de Havelock (1996), de Ragusa (2013, 2019, 2021), de Ragusa e Brunhara (2017), de Rocha (2012) e de Dos Santos (2017), as contribuições a respeito de poesia romântica de Schlegel (1997), de lírica moderna de Friedrich (1978) e de discurso indireto das imagens de Balakian (1985).
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