Abstract

Plastics are as positively durable as they are easily breakable, almost impossible to mend and hard to get rid of. They promise eternal life, but their immortality may quickly turn them into the undead. This paper discusses the use and role of plastics in Ghanaian funerary contexts, specifically in a small-town community in the Ghanaian Volta Region. It investigates plastics’ agency as materials that may potentially either contain death successfully or become uncontained matter out of place, just as the dead may become contained or left wandering among the living. Different perspectives on plastics are brought into focus, highlighting how attributed qualities and meanings play into the making of ‘good’ or ‘bad’ death. The paper shows that plastics and persons jointly become subject to moral and temporal assessments in the realm between good and bad, finitude and durability. Beyond the ethnographic case study, the paper discusses the political potential of death and plastics within the larger global context of a cultural economy that reflects the ongoing effect of colonialism.

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