Abstract
“The Lake Isle of Innisfree” by R. Frost and “Stopping by Woods on a Snowy Evening” by W. B. Yeats are two of the most representative poems of these poets. Part of their universal appeal lies in their messages and their craftsmanship, and both the qualities relate to the New Critical conception of poetry. Since New Criticism as a literary theory, originating in the early twentieth century, seeks to explore poems through some central points of references in a close reading, this present study takes paradoxes as a central point of reference for a close reading of the two poems and attempts to unveil their poetic enigma by examining what tensions the paradoxes create through the speakers’ grappling with the dilemmas they are facing, how the paradoxes are being resolved or left unresolved, what similarities the two poems share in this regard, and what poetic unity the poems ultimately attain through the development of these paradoxes.
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