Abstract
The paper examines the original vocal performing characteristics of Cossack folk songs of the life cycle devoted to various topics. The author of the paper illustrates a number of the most important correspondences of vocal interpretation in the plot analysis of folklore sources. When assessing the embodiment of a song by a performer, the basic factor is the worldview of the hero entering into historical, political, and everyday processes. The identifi cation characteristics of performing can be traced in various thematic lines of successive stages in the life of the song hero.
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