Abstract

Reversible figures are drawings in which figure and ground appear to alternate on continued inspection (e. g., the Rubin vase, Fig. 1 A ), or in which perspective appears to shift (e. g., the Necker cube, Fig. 1 B ); in yet a third type, a moving pattern, such as the vanes of a windmill, seems to reverse the direction of its movement. The neural mechanisms underlying these apparent fluctuations remain obscure, despite numerous investigations involving such aspects of the patterns as size (Washburn, Mallay, and Naylor 34 ; Cohen 5 ), complexity (Donahue and Griffitts 7 ; Washburn, Reagan, and Thurston 35 ), or brightness (Mull, Ord, and Locke 19 ). That retrochiasmal processes are involved, however, is suggested by two facts: ( a ) In figures with reversible perspective or movement, rate of apparent change (RAC) increases with continued fixation (Kohler 15 ; Brown 3 ; Cohen 5 ), and ( b ) inspection of a reversible figure with one eye causes an

Full Text
Paper version not known

Talk to us

Join us for a 30 min session where you can share your feedback and ask us any queries you have

Schedule a call

Disclaimer: All third-party content on this website/platform is and will remain the property of their respective owners and is provided on "as is" basis without any warranties, express or implied. Use of third-party content does not indicate any affiliation, sponsorship with or endorsement by them. Any references to third-party content is to identify the corresponding services and shall be considered fair use under The CopyrightLaw.