Abstract
The article analyzes L. Gurov's Sonata for violin and piano from the point of view of its performing interpretation. The author aims to reveal the original features of this work, which are manifested in particular, in the use of folklore material. The intonation-thematic structure of the composition, the ratio between the parts of the violin and piano are analyzed in detail, methodical recommendations are given. It is concluded that the Sonata for violin and piano by L. Gurov is a typical example of the genre, and its innovation lies in the synthesis of the deep philosophical content, original composition and convincing performance of the violin and piano ensemble.
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