Abstract
The article examines the Sonata for violin and piano by B. Dubosarsky in terms of content, form and interpretative treatment. The author aims to reveal the innovative features of this work, which are manifested primarily in the interpretation of the form, combining the features of a three-part cycle and a large one-part composition. The intonation-thematic structure of the sonata, the ratio of the violin and piano parts are analyzed in detail, performing recommendations are offered for developing a creative version of the interpretation. As a result, it is concluded that the Sonata for Violin and Piano by B. Dubosarsky is an original example of an individual solution of a genre form, the innovation of which lies in the synthesis of a deep philosophical content, an original composition and a convincing ensemble interpretation of the violin and piano.
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