Abstract
Public attention has recently shifted from focusing almost exclusively on Anne of Green Gables and Montgomery’s other fictions to recognition of the author herself as a compelling historical figure, in line with the mandate of the Lucy Maud Montgomery Society of Ontario (LMMSO), who oversee and operate the Historic Leaskdale Manse, that “[w]e are not Anne of Green Gables; we are L.M. Montgomery.”1 Montgomery is now honoured in a wide range of commemorative activities in the public sphere and enjoys a flourishing afterlife on the page and on the stage.
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