Abstract
The publication is devoted to the study of the peculiarities of the advancement of the Chinese traditional theatre (xiqu) in Russian culture of the late XVIII and early XXI centuries. The main features are intended which are inherent to this type of art. Special attention is paid to Peking Opera (jingju) which is the most famous representative of xiqu. It is revealed that the popularization of the Chinese traditional theatre in Russian culture was mainly carried out with the help of printed publications as well as a result of the touring activities of Chinese theatres from different provinces.
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