The development of the art of the domra playing in Ukraine in the context of the revival of folk musical-instrumental culture at the turn of the XX–XXI centuries

Ya.v Daniliuk

doi:10.34064/khnum2-18.07

Abstract

The development of the art of the domra playing in Ukraine in the context of the revival of folk musical-instrumental culture at the turn of the XX–XXI centuries

Highlights

The development of questions of the development of domra performing in Ukraine at the turn of the XX–XXI centuries remains not completely exhausted
Proceeding from this, the purpose of the article is to analyze the prerequisites and factors of the formation of domra performing in Ukraine in the context of the dynamics of the national folk musical and instrumental culture in the late XX and early XXI centuries
The repertoire basis of domra performing art was drawn from two key sources: the folk repertoire, which developed depending on the historical conditions specific to the folk instrumental genre, and from academic works that inherited the traditions of European and native cultures of the XX century

Summary

Introduction

The article contains the analysis of the problem of the domra performing development under conditions of strengthening the culture-creating role of folk instrumental art in the late XX – early XXI centuries. There is a lack of elaboration of the problem of the development of domra art in Ukraine both in terms of studying the theory and methodology of modern folk instrumental performing, as well as in historical and pedagogical terms. Proceeding from this, the purpose of the article is to analyze the prerequisites and factors of the formation of domra performing in Ukraine in the context of the dynamics of the national folk musical and instrumental culture in the late XX and early XXI centuries. It was discovered that during the period under study, the development of domra’s performing was facilitated by the stylistic and substantial enrichment of the repertoire for solo and ensemble, the search for new timbre-articulation connections, new ensemble heterophony – cocreation of composers and performers-domrists, who provided the appearance of new original content, form, performing technique of composer discoveries, so that at the turn of the XX – XXI centuries appeared a significant number of modern compositions for domra

Objectives

Conclusion