Abstract
The article explores the intertextual relations of Russian epics and animated films about Russian knights the art Studio «Mill»: Alyosha Popovich and Tugarin Zmey (2004), Dobrynia Nikitich and the Serpent Gorynych (2006), Ilya Muromets and Nightingale the Robber (2007), revealing the correlation of traditions and innovations in the verbal representation of the images.
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