Abstract
Because certain aestheticians attempt to keep art and everyday aesthetics apart, the aim of this article is to question whether it is tenable and beneficial to do so. To this end, poststructural thinking is employed to argue that essentialist aesthetics does not hold water and that the deconstruction of such opens the door for thinking art and quotidian aesthetics together. This is not a trivial matter, because by resisting reciprocity between art and everyday aesthetic life, one stands to impoverish both.
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