Diplomatic Communication of Silk Sign: Vehicle, Signification, and Narrative

Abstract

ABSTRACT This study explores how silk as an aesthetic sign plays the active and efficient role of diplomatic narrative in the cultural and political communication between countries employing the historical and archaeological evidence in China. Aesthetic signs are of communicative values and cultural narrative significance. Silk is an aesthetic sign with iconic properties. The paper argues that beauty, exquisiteness, and value are the visual properties that silk as a sign vehicle presents in terms of texture, colours, patterns, and weaving techniques, recognised across all cultural contexts throughout history. The richness of favourable meanings that a sign conveys is embodied in the characteristics of its specific vehicle. The combination of silk as a sign vehicle and its designated object conveys the sign's value, thus performing the narrative function. Due to its iconic functions, silk is the most distinct and active aesthetic sign. Therefore, this paper argues that silk as a sign expresses diplomatic fraternity and harmony narrates aesthetics of unremitting pursuit of gentleness and auspiciousness, and constructs an international image of a country willing to coexist with others harmoniously and offer mutual assistance during difficulties.