Novelist Sarat Chandra's perception of his Bengali home region: a literary geographic study

Abstract

Sarat Chandra, a Bengali novelist of the first half of the 20th century, has described the landscape of his southern Bengal Region and has interacted through his characters a deep psychological response appropriate to the region and time. His work forms an excellent resource base to reconstruct the region of his time and establish phenomenological relationship through the feelings expressed by the characters of his novels. Sarat Chandra's Home Region is a stream-filled area with people's activity directed to agriculture, though Calcutta was already established as a center of westernization and modernization. Feudal exploitation, Zamindars' tyrrany, degenerative caste-division, child marriage, prohibition of widow's right to remarry, decaying extended family and losing person-to-person relationship of the traditional Bengal were some of the characteristics of the regional cultural geography. The cities, particularly Calcutta, had started to show signs of modernization: industries, equal rights to women, widow re-marriage and elitist ideas. “Bramho Samaj” was pioneering the social modernization. In summation, the Home Region, being a transitional stage of decaying feudalism and incipient industrialization, was engaged in a struggle between the old and the new, decadent traditional and modern, rural and urban, caste rigidity and liberal social customs, religious fanaticism and rationalism. Sarat Chandra's work, particularly, provides an inroad to understand the cultural aspects of his Home Region.