Abstract

Based on observations, qualitative content analysis and secondary sources, this paper critically examines the importance of nonverbal communication in the Nigerian mass media particularly in print advertising. Hinging principally on two theories (namely semiotics and structuralism theory), the paper argues that despite the fact that they are difficult to systematically be quantified in a mass communication context, nonverbal cues are very important parts to all media producers’ efforts to convey emotional, intellectual and informational meanings to audiences. In tandem with this, nonverbal communication cues actually pervade the Nigerian mass media production. The paper demonstrates this fact with illustrations from the Nigerian print advertising. It argues that in the Nigerian print advertising text, nonverbal communication is achieved through specific visual compositions and paralanguage. Print adverts often contain a mix of visuals which are/represent indexical or symbolic signs of positive attributes that advertisers seek to associate with the products or services on promotion. Various forms of paralanguage are equally deployed to suggest the benefits and gratification one may derive from consuming the product or using the services on promotion.

Highlights

  • The mass media text has, in most contexts, been a very complex, multidimensional and composite phenomenon

  • We propose to call these semiological signs, whose origin is utilitarian and functional, sign-functions

  • A key assumption in human communication has been that nonverbal cues are often richer and more revealing in meaning compared to verbal communication, in interpersonal and/or emotional exchanges

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Summary

Introduction

The mass media text has, in most contexts, been a very complex, multidimensional and composite phenomenon. Regulate and put an accent on specific features of mass media messages This can aptly be illustrated by the fact that media texts often integrate nonverbal cues such as (archetypal) sounds or music to represent specific social worlds and realities. Using a number of theories related to media text interpretation, this paper seeks to examine the place of non-verbal cues in the Nigeria media text or production It focuses on print advertising by Nigerian organizations. It explores the extent to which myths endorsing the centrality of non-verbal cues in mass communication efforts are pertinent and verifiable It examines the specific aesthetic and communicational values of these nonverbal cues in the Nigerian pint advertising text

Theoretical Framework
Nonverbal Cues as Dominant Elements in Communication Contexts
Nonverbal Cues in Mass Media Communication
Nonverbal Communication in the Nigerian Print Advertising Industry
Findings
Conclusion

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