Abstract

Faced with the most up to date washing machine, the undocumented Rosa, newly arrived from Guatemala to Los Angeles, does what many resourceful Mayan women would: She handwashes clothes and lays them on the lawn to dry.1 Played for comic relief in the 1983 movie El Norte, this confrontation of the domestic worker with the machine represents how, presumably in the face of dirty wars in Latin America and rising labor force participation of mothers with small children in the United States, well-to-do households had it both ways: They purchased the latest appliances and relied upon the labor of immigrant women. Recent migrants appeared more tractable than the African Americans who historically had worked in other women's homes. New models superseded old Maytags, but domestic workers never became obsolete, despite the predictions of sociologists and the panicked laments of would-be employers.

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