A “Promise to Preserve Proper Decorum”: Organized Dancers, Filipino Patrons, and the Politics of Night Work in 1920s Seattle

Abstract

Abstract In 1920s Seattle, dance halls charging ten cents per dance became the focus of debate. Tracing the dance workers’ self-representations and labor organizing in a city increasingly hostile to interracial social spaces, this paper evaluates how gender, race, labor organizing, and politics intersected in unprecedented ways in Seattle’s nightlife. In a decade of tepid labor organizing and in a sexual labor sector where unions were extremely rare, female dancers in Seattle unionized. Moreover, they did so in what became under Mayor Betha Knight Landes (1926–1928) the first major American city to have a female mayor. The Women Dancing Entertainers’ Union’s (WDEU) tactics of emphasizing the respectability of their profession enjoyed initial successes, yet faltered when dance hall critics increasingly constructed the presence of interracial couples as a sign of immorality. The closure in 1929 of numerous ten-cent halls south of Yesler Way reflects how Anti-Asian prejudice entered into regulation of the city’s nightlife, adversely impacting dance hall workers, women in politics, and minoritized men. The WDEU’s insistence that they were upstanding workers and economic providers nonetheless provides a powerful corrective to contemporaries’ and, until recently, historians’ tendency to overlook sexual sector night labor.