Abstract
Abstract From the protective strategy of a minority to a popular consumer argument, coolness has come a long way. Once celebrated as a mark of distinction in pop literature, the question today is whether coolness is not long outdated when it comes to writing about issues and views of postmigrant realities that keep the political public in suspense. This article explores aspects and varieties of coolness in Deutschboden (2010) and Nochmal Deutschboden (2020) by Moritz von Uslar and addresses the question of whether the cool attitude can still serve as a cultural practice and aesthetics of self-assertion.
Sign-in/Register to access full text options 
Talk to us
Join us for a 30 min session where you can share your feedback and ask us any queries you have
Schedule a callMore From: Internationales Archiv für Sozialgeschichte der deutschen Literatur
Disclaimer: All third-party content on this website/platform is and will remain the property of their respective owners and is provided on "as is" basis without any warranties, express or implied. Use of third-party content does not indicate any affiliation, sponsorship with or endorsement by them. Any references to third-party content is to identify the corresponding services and shall be considered fair use under The CopyrightLaw.
