Mythic, national, global, geological: the countryside in Catalan literature

Abstract

ABSTRACT This essay analyzes the dominant ideologies of the different representations of the countryside in modern and contemporary Catalan literature. I propose three main tendencies or stages. First, in the nineteenth century the countryside provided a symbolic form to local fatherlands that portrayed the mythification of the native soil, the transmission of historical memory and an implicit defense against the penetration of the Spanish state. Second, in the twentieth century the countryside became part of the political process of spatializing the Catalan nation. Josep Pla’s oeuvre constitutes the most comprehensive effort to narrate the national genius loci. Finally, literary works in the twenty-first century have focused on representing the ways in which globalization has altered the Catalan countryside. In our present, the geography of the rural has been largely disjointed by suburbanization, tourism, overexploitation of natural resources, itinerant immigration, remote work and political clientelism, but also multiple instances of local resistance and alternative forms of life. As AMO/Rem Koolhaas argue in Countryside: A Report, the rural world is currently more volatile than the most accelerated city, and many of the tensions between the global and the local, capital and labor, and human and natural histories emerge there in more extreme ways than in any urban space. In this global context, one singular novel, Irene Solà’s Canto jo i la muntanya balla (2019), thematizes how even the geological sphere of the countryside has become an unstable space of postsubjective experience and magmatic violence.