Abstract

In recent decades, numerous initiatives have seen the aims of Italian architects and archaeologists converge on the necessity to found the country’s future on the basis of a renewal of cultural heritage that represents it. “Patrimonio al futuro” (Volpe, 2015), “Il nuovo dell’Italia è nel passato” (Carandini, 2012), “Architettura e patrimonio: progettare in un paese antico” (Franciosini and Casadei, 2015) are just some of the most recent publications that testify to this orientation. The contribution presents a proposal, winner of the first prize in an idea’s competition, focused on the valorisation of the Tuscia territory, that is an internal landscape of middle Italy, in which the archaeology-landscape dualism is the main structuring character. In this framework, the idea of “Museums of landscape” was born: going beyond the canonical concept that identifies the museum as a monumental building closed in itself, to give rise to a sort of an “exploded museum” in the territory. It is an accessible network where the archaeological areas are conceived as open-air exhibition rooms spread throughout the territory, in which archaeology and landscape intertwine to form a unified narrative, both physical and virtual, able to host different events in the new inclusive archaeological “rooms”. Keywords: architectural design, archaeological heritage, architecture for archaeology, museums of landscape, cultural landscape.

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