Abstract
This paper presents a multidisciplinary study combining photogrammetry, near-infrared (NIR) imaging and archaeological analysis to analyse a 1900-1800 BC engraved cup, found at the Bronze Age site of Filo Braccio in Filicudi, Aeolian Islands, Italy. The artefact is unique within the contemporary ‘Capo Graziano’ culture, featuring a rare complex figural scene engraved along the exterior walls; the “scene” provides insights into the prehistoric culture of Filicudi and the Aeolian Islands. The study focused on generating an accurate three-dimensional (3D) model to i) support archaeological research on the artefact's engravings and ii) create engaging digital media for remote and on-site visitors. Photogrammetry used high-resolution photographs taken around the object and control points for metric accuracy assessment. This study also utilises NIR and visible light imaging to examine the engraved cup. The photogrammetric workflow provided a realistic 3D model textured with both visible and NIR data: the 3D model enabled to improve the reading of the engraved scene, revealing horizontal registers of figures, while NIR imaging highlighted material inhomogeneity. The resulting 3D model achieved a high level of detail, with 4381407 faces and a root mean square (RMS) reprojection error of approximately 3.9 µm. The NIR imaging revealed additional surface details not visible in the standard photographs. For dissemination, the optimised 3D model was uploaded to Sketchfab with informative annotations, enabling remote study and cultural promotion of the artefact. This multi-approach methodology offers a valuable tool for comprehensive artefact documentation and analysis, providing new insights into the artefact's complex figural scene.
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