Abstract

The two most typical motifs in the work Lieu trai chi di by Bo Tung Linh are counted as subjects turned into people and people turned into subjects. If the motifs are shone via a few mythological studies, their value will be indicated by differently various dimensions. The motifs in Lieu trai chi di made their appearance based on the inheritance of profound and legendary thinking of the primitive human, from the previous literary genres such as myths, fairy tale and so on According to the legacy, Bo Tung Linh blows into the motifs a fresh breath in the early modern era and shows out the progress in the life reflecting art. The writer knitted two sides of reality and imagination to create the motifs for the work of art precisely reflecting the life twinklingly and magically.

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