Abstract
In this article we study the relationship between the Chilean artists Violeta Parra and Cecilia Vicuña (20th-21st centuries) while addressing the common aspects of their artistic proposals and describing how the phenomenon of female creative legitimation takes place under the condition as Latin American women artists. Framed within the issue of invisibility of women in music and art, we are interested in showing how these women think about art, what aesthetic foundations guide their creations, what fields of knowledge inform their work, and ultimately, how to contribute to the elaboration of a narrative on the production of feminine thought based on the theoretical assumptions of Luce Irigaray and other authors. In this investigation, we study the uses of the fragmented body as a fundamental topic present in the work of these two artists through the analysis of visual and musical texts.
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