Abstract
Stage text of the musical «Next to normal» in Michael Grief’s production
Highlights
● two-level stage with different sectors allows to implement fast spacetime switching while maintaining the dynamics of action and embody the idea of parallel action, a combination of real and imaginaryevents; 214 2020 ■ Вип. 57 ■ Проблеми взаємодії мистецтва, педагогіки та теорії і практики освіти
Conclusions.In terms of musical content, the production deepens the tragedy of Diana’s image, which is that she chooses a ghostly man instead of a real one
The relationship between her and her dead son in the stage decision goes beyond the roles of «mother – son» – as evidenced by their dance, kissing hands, hugs, which allow us to consider them as a romantic couple of characters, which in the musical text of the opera is only a hint
Summary
57 ■ Проблеми взаємодії мистецтва, педагогіки та теорії і практики освіти вирішується проблема того, що його бачить тільки Діана? По-перше, це різнорівневі сцени, що відкривають, наче в розрізі, різні кімнати та поверхи будинку, де живе сімейство Гудменів (Діана, її чоловік – Ден, донька Наталі та привид померлого сина – Гейб).
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