Abstract
The death of Queen Victoria occasioned the publication of commemorative narratives in early twentieth-century Odisha. They serve as site for understanding how feminine authority was imagined as the Odia literati engaged in a fraught movement for the formation of a separate province of Odisha. They imagined an Odia motherland in relation to figures of maternal authority such as mother India and mother Victoria. This article explores this vernacular representation of the queen as mother in the work of the poet Madhusudan Rao. By drawing on traditions of lament and maternal authority, the article illustrates how Rao used lament to carve out a palimpsest of multiple identities, from imperial subjecthood to regional belonging.
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