Abstract
The article analyses the effect of performance arts (dance, music, and writing) on the central character Miranda in Katherine Anne Porter's novella Pale Horse, Pale Rider. The study situates itself within the discourse of pandemics and the discourse of expressive arts. In addition to establishing the correspondence between mortality anxiety and aesthetic engagements, it explores the testimonies of performance arts in Pale Horse, Pale Rider and its impact on its central character Miranda who lives a stressful life induced by the Spanish influenza of 1918 and World War I. Dancing, singing, and writing are expressive activities that belong to the world of aesthetics and senses. Besides, as the findings of the study suggest, they are affirmative responses of Porter against the war and pandemic of 1918. They offer pleasure, ecstasy, escape, and liberty.
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