Abstract
The essay aims to analyse the relationship between ‘Caesarism’ and ‘modern prince’ in the Prison Notebooks. Capitalising on a historical-philological investigation of Gramsci’s prison writings, I intend to show how these two categories share a common political-conceptual background. Furthermore, the investigation of this theoretical junction illuminates the political reflection of Gramsci as a whole, by highlighting its being always in progress.
Sign-in/Register to access full text options 
Talk to us
Join us for a 30 min session where you can share your feedback and ask us any queries you have
Schedule a callDisclaimer: All third-party content on this website/platform is and will remain the property of their respective owners and is provided on "as is" basis without any warranties, express or implied. Use of third-party content does not indicate any affiliation, sponsorship with or endorsement by them. Any references to third-party content is to identify the corresponding services and shall be considered fair use under The CopyrightLaw.
