Abstract
Argentinean rock has, in some of its forms and from its origins, a discourse that can be considered as politically dissenting and which identifies elements of political superstructure as the target of its claims. In this paper, we analyze the presence of a contradictory enunciator in some of the songs of El Salmon [2000] album, by the Argentinean composer and musician Andres Calamaro. We conclude that Calamaro introduces, from the enunciation, an original dissident vocality because he includes micropolitics as a key dimension for macropolitics.
Highlights
Argentinean rock has, in some of its forms and from its origins, a discourse that can be considered as politically dissenting and which identifies elements of political superstructure as the target of its claims
Agradecimientos: Al Programa de Semiótica de la Universidad Nacional de Misiones por la constante dedicación y excelente formación recibida
We analyze the presence of a contradictory enunciator in some of the songs of El Salmón [2000] album, by the Argentinean composer and musician Andrés Calamaro
Summary
Sergio Daniel Quintana es Profesor (2001) y Licenciado (2009) en Letras por la Universidad Nacional GH0LVLRQHV81D0$UJHQWLQDVH HQFXHQWUDÀQDOL]DQGROD0DHVWUtD en Semiótica Discursiva en el Programa de Semiótica de la Facultad de Humanidades y Ciencias Sociales de la misma Universidad. Se ha especializado en Análisis del Discurso en relación con el campo de la Semiótica. Se desempeña como investigador en el Proyecto de Investigación Territorios literarios e interculturales: despliegues críticos, teóricos y metodológicos del Programa de Incentivos de la UNaM.. Agradecimientos: Al Programa de Semiótica de la Universidad Nacional de Misiones por la constante dedicación y excelente formación recibida. En algunas de sus vertientes, posee desde sus orígenes un discurso que puede considerarse como políticamente contestatario y que identifica como objeto de sus reclamos a elementos de la superestructura sociopolítica. Se concluye que Calamaro introduce desde la enunciación una vocalidad disidente novedosa, dado que involucra lo micropolítico como una dimensión fundamental de lo macropolítico
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