Abstract
During the second half of the 2012–13 theatre season, we mapped all then-existing educational theatre practices in Hungary against a standardized set of criteria. We contacted a total of 298 institutions and observed 118 programmes in person. We aimed to map the complete picture, so we involved every programme that fitted our low-threshold criteria and responded to our inquiry. Presumably, we covered the entire Hungarian educational theatre sphere. For each programme, we collected data from six sources: children or youth participating in the programmes; teachers accompanying the participants; organizational contact persons; creators/performers of the programmes; observing of the programmes by independent observers; and secondary research on the internet. In 2023, we repeated part of this data collection. In this article, we present the methodology used for the mapping in detail since we believe it can serve as a model for similar mappings in other countries.
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